
An Inside Look from the Movie Business
AGENT CODY BANKS
 Agent 
      Cody Banks is a well-written, well cast pre-teen movie that's also enjoyable 
      by parents. The action although not unique, is very script-appropriate. 
      The director did an excellent job of blending his characters and action 
      into an entertaining story with age-appropriate jokes and action. The actors, 
      Franky Muniez and Hillary Duff were amazing for their ages. Although none 
      of the stuntwork was cutting edge, it fit well into the plot and enhanced 
      the story and characters. From 
      a technical perspective, some of the visual effects came across as fake, 
      but overall it made for a very enjoyable shared viewing experience with 
      my young co-viewers.
Agent 
      Cody Banks is a well-written, well cast pre-teen movie that's also enjoyable 
      by parents. The action although not unique, is very script-appropriate. 
      The director did an excellent job of blending his characters and action 
      into an entertaining story with age-appropriate jokes and action. The actors, 
      Franky Muniez and Hillary Duff were amazing for their ages. Although none 
      of the stuntwork was cutting edge, it fit well into the plot and enhanced 
      the story and characters. From 
      a technical perspective, some of the visual effects came across as fake, 
      but overall it made for a very enjoyable shared viewing experience with 
      my young co-viewers. 
Overall score of B+
SHANGHI KNIGHTS
 Shanghi 
        Knights is a rejoining of the great chemistry of Jackie Chan and Owen 
        Wilson from Shanghi Noon. The main theme of the film is the dignity of 
        the Chinese and British cultures and the irreverance of American Owen 
        Wilson's character to both. This puts our heros in a lot of comical and 
        action-filled situations. Where the script misses the mark is overly corny 
        jokes that were a carry over from the end of the last film, which did 
        work, but in the sequel, the slapstick humor and corny character tie-ins 
        went over the top. The love interest in the film blossoms between Chon 
        Wang's (Jackie Chan) sister Chon Lin (Fann Wong) and Roy O'Bannon (Owen 
        Wilson), which puts Jackie in the position of the overprotective big brother. 
        The best fights and action actually center around Jackie's sister. The 
        biggest disappointment of the film was in the climax where they essentially 
        recreated the setting of the clock-tower scene from the movie Project-A. 
        This would have been passable except instead of redoing the phenomenal 
        highfall stunt which was probably one of the greatest stunts of all time, 
        they retreaded it with a CGI, cartoon highfall with the badguy "falling 
        to his death." We all go to Jackie Chan films to see real stuntmen in 
        real situations not computer generated cartoon stuntmen taking the place 
        of the real thing.
Shanghi 
        Knights is a rejoining of the great chemistry of Jackie Chan and Owen 
        Wilson from Shanghi Noon. The main theme of the film is the dignity of 
        the Chinese and British cultures and the irreverance of American Owen 
        Wilson's character to both. This puts our heros in a lot of comical and 
        action-filled situations. Where the script misses the mark is overly corny 
        jokes that were a carry over from the end of the last film, which did 
        work, but in the sequel, the slapstick humor and corny character tie-ins 
        went over the top. The love interest in the film blossoms between Chon 
        Wang's (Jackie Chan) sister Chon Lin (Fann Wong) and Roy O'Bannon (Owen 
        Wilson), which puts Jackie in the position of the overprotective big brother. 
        The best fights and action actually center around Jackie's sister. The 
        biggest disappointment of the film was in the climax where they essentially 
        recreated the setting of the clock-tower scene from the movie Project-A. 
        This would have been passable except instead of redoing the phenomenal 
        highfall stunt which was probably one of the greatest stunts of all time, 
        they retreaded it with a CGI, cartoon highfall with the badguy "falling 
        to his death." We all go to Jackie Chan films to see real stuntmen in 
        real situations not computer generated cartoon stuntmen taking the place 
        of the real thing. 
Overall score of B


THE TUXEDO

 The 
    Tuxedo was an attempt to find a new vehicle for the fabulous skills and 
    charisma of Jackie Chan. Jackie's main problem with his personality and athletic 
    ability is finding a script and character that will allow him to do what he 
    does best. While Drunken Master was perhaps that perfect vehicle, The 
    Tuxedo could have been the new vehicle to allow Jackie to be Jackie. Sadly, 
    a briliant director, Kevin Donovan was hamstrung by a horrble script written 
    by committee. The action, which should be the easiest thing to accomplish 
    in a Chan film was again hamstrung by Dreamworks' insistance on shooting the 
    show in Canada to get the Canadian government's labor subsities provided to 
    any American film shot in that country. Dreamworks also denied the director 
    his choice of people to put together the stunts and made a huge mistake in 
    hiring Greg Michael as second unit director instead of the proven choice of 
    a stuntman turned action-director. The end result is forced action no where 
    near the potential of what this film should have been.
The 
    Tuxedo was an attempt to find a new vehicle for the fabulous skills and 
    charisma of Jackie Chan. Jackie's main problem with his personality and athletic 
    ability is finding a script and character that will allow him to do what he 
    does best. While Drunken Master was perhaps that perfect vehicle, The 
    Tuxedo could have been the new vehicle to allow Jackie to be Jackie. Sadly, 
    a briliant director, Kevin Donovan was hamstrung by a horrble script written 
    by committee. The action, which should be the easiest thing to accomplish 
    in a Chan film was again hamstrung by Dreamworks' insistance on shooting the 
    show in Canada to get the Canadian government's labor subsities provided to 
    any American film shot in that country. Dreamworks also denied the director 
    his choice of people to put together the stunts and made a huge mistake in 
    hiring Greg Michael as second unit director instead of the proven choice of 
    a stuntman turned action-director. The end result is forced action no where 
    near the potential of what this film should have been.Overall score of C -
Watch the Tuxedo fight training video...
 
 
    